江流映天際，云動(dòng)曉天青

River mirrors sky, clouds stir at dawn

荷爾德林曾說(shuō):“在人心浮躁的時(shí)代，一座島嶼無(wú)疑是靈魂最好的棲息地?！睄u上的一切美好在每個(gè)此起彼伏的清晨，感受熾熱滾燙的煙火。

As H?lderlin said，'In restless times，an island is the soul!sbest refuge'， Each morning on the island stirs with the warmpulse of vibrant life.

在結(jié)構(gòu)上，設(shè)計(jì)師解構(gòu)自然美學(xué)，選擇體塊堆疊穿插作為獨(dú)特手法，賦予建筑以動(dòng)感和美感。通過(guò)控制結(jié)構(gòu)節(jié)奏和層次感、選擇不同的材料和紋理、處理光影效果，以及考慮環(huán)境和功能等因素，創(chuàng)造出秩序感的建筑。

Structurally，the designer deconstructs natural aesthetics through stacked and interwoven volumes，giving the architecture a sense of movement and beauty. By controlling rhythm，layering，materials，light，and context，a balanced and orderly form emerges.

悠然從心，素處以默。初入前廳，我們保有對(duì)自然的敬畏，并連接自然做出處理，空間的尺度，以及光在空間出現(xiàn)的靈動(dòng)，溫潤(rùn)地感知著這個(gè)空間。

The space is wrapped in wood and smoked bronze，bringingart into everyday life. The reception desk pairs bronze withstone，echoing the patterned flooring-a refined balance between materials.

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空間以木飾面、煙熏古銅為包裹，讓藝術(shù)抵達(dá)生活。接待臺(tái)以古銅及石材作搭配地面石材拼花，在此尋見(jiàn)更好的平衡點(diǎn)。

The space is wrapped in wood and smoked bronze，bringingart into everyday life. The reception desk pairs bronze withstone，echoing the patterned flooring-a refined balance between materials.

設(shè)計(jì)師為空間創(chuàng)造更多純粹的留白，仿佛游走在無(wú)界的場(chǎng)域。潛入自由閑適的空間，陽(yáng)光燦爛時(shí)便享受，雨天便聽(tīng)聲，在松弛的自然中擁抱理想生活。

We create pure blank space，as if wandering in boundless fields. Immersed in freedom，we bask in sunlight and listen to rain，embracing ideal life within relaxed nature.

空間以玻璃為包裹，與水景相望，藝術(shù)雕塑置于水面，猶如自然中不滅的、赤忱的心臟，讓空間煥發(fā)出新生和價(jià)值。觸碰時(shí)代與文明，隱逸自然的生活方式，外靠自然環(huán)境，相依情景空間，內(nèi)修安然心境。

The space is enveloped in glass，facing a water feature where an art sculpture floats like an eternal，passionate heart in nature—breathing new life and meaning into the space. Life should be as vibrant as a red apple.Touching upon time and civilization，this retreat embraces a natural lifestyle—nestled within the environment，blending scenic spaces with inner tranquility.

前廳空間以中軸對(duì)稱(chēng)為骨架，承托起建筑。提取石材、雕塑、光影營(yíng)造生活的藝術(shù)，引自然入室。配以銅和木質(zhì)，通過(guò)線(xiàn)性燈反向打光，烘托整體空間。

The space is wrapped in wood finishes and smoked bronze，allowing art to merge seamlessly with daily life. The reception desk，combining bronze and stone，echoes the stone inlayflooring-together，they reveal a refined sense of balance.

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沒(méi)有過(guò)多邊界的空間屬性，可任意游走，無(wú)論是激勵(lì)深邃的木石，還是盞盞寧寂的古燈，彰顯極靜澄澈的自然意味。將山、川、塬以意向?yàn)榻鈽?gòu)，再具象，器物與場(chǎng)景交融，自然，便是人文最好的共鳴。

A boundaryless space invites free exploration-through thequiet of wood，stone，and ancient lamps，it reveals a pureconnection to nature. Abstracted landscapes blend with objects and scenes，where nature becomes the deepest echo ofhuman culture.

休閑空間臨窗而坐，仿佛隨時(shí)都能擁抱室外的草木花鳥(niǎo)、清風(fēng)明月。室內(nèi)與室外的無(wú)聲對(duì)話(huà)，也沉淀出靜謐的氛圍。

The lounge by the window invites you to embrace the outdoor scenery—greenery，breeze，and moonlight. This quiet dialogue between indoors and out fosters a deep sense of tranquility.

走廊以手工磚隔斷，通過(guò)鏤空砌筑打造合而不閉的空間。手工磚的紋理與質(zhì)感，彰顯空間包容性，實(shí)現(xiàn)開(kāi)放與圍合的平衡。

Handmade brick partitions with hollow masonry create a connected yet unenclosed corridor space. Their textures showcase inclusiveness and balance openness with enclosure.

無(wú)論是家具形體還是色彩尺度，皆旨在用低調(diào)、質(zhì)感的設(shè)計(jì)之形建構(gòu)，舒朗的內(nèi)在體驗(yàn)及感受。頂面原始質(zhì)感的連續(xù)拱形結(jié)構(gòu)為我們方正平穩(wěn)的空間帶來(lái)不一樣的微妙形態(tài)。

Whether in the form of furniture or the scale of color，the design aims to shape a re fined and understated spatial experience-one that conveys quiet luxury and openness.

無(wú)論是晨光初破，還是夕陽(yáng)微醺，光線(xiàn)被巧妙引導(dǎo)，與建筑和廊道建立起微妙的關(guān)聯(lián)，最終在室外交織成景。

Whether at the break of dawn or under the gentle intoxication of sunset，light is artfully guided to form a subtle connection with the architecture and corridors，ultimately weaving into the outdoor scenery.

一樓公共區(qū)觀景位，白天社交空間消隱于景色之中，以一幅文人雅集的形式將當(dāng)代藝術(shù)與游園秘境相結(jié)合，至夜晚，生活場(chǎng)景成為夜色下的焦點(diǎn)。

Scenic viewpoints are set along the courtyard，where thesocial area blends into the landscape by day-evoking theelegance of a literati gathering that merges contempo raryart with a hidden garden retreat. By night，this living scenebecomes the center piece beneath the starlit sky.

晨光斜切而入，在清水混凝土上投下瞬息變幻的光影序列，穿孔鋁板將余暉分解成細(xì)碎的金斑。建筑在此褪去重量，僅以光的容器之姿存在。

Morning light slices through，casting shifting shadows on concrete，while perforated panels scatter dusk into gold. Architecture becomes pure vessel for light.

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庭院一側(cè)設(shè)有觀景坐席，白日里，社交空間隱于景色之中，以文人雅集的意趣，將當(dāng)代藝術(shù)融于園林秘境；夜幕降臨，生活場(chǎng)景在光影中成為夜色焦點(diǎn)。

A viewing seat is placed beside the courtyard. During the day，the social space blends quietly into the surrounding landscape，echoing the elegance of a literati gathering by merging contemporary art with a hidden garden. As night falls，daily life becomes the focal point beneath the glow of the evening light.

陽(yáng)光透過(guò)樹(shù)木的縫隙，斑駁地灑在建筑的墻面上，形成一片金色的光影。微風(fēng)拂來(lái)的是輕松的慰藉，在這個(gè)隱秘的都市莊園里，人們散步、靜坐、閑聊，自由選擇自己喜歡的方式和位置。

Sunlight filters through the gaps between the trees，castingdappled golden patterns on the building's walls. A gentlebreeze brings a sense of ease and comfort. In this secludedurban garden，people stroll，sit in quiet contempla tion，orengage in casual conversation-freely choosing their preferred way and place to unwind.

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色彩不再是簡(jiǎn)單的裝飾，引導(dǎo)著孩子們的無(wú)限情緒與好奇心。我們選擇直線(xiàn)線(xiàn)條，構(gòu)建出一個(gè)個(gè)充滿(mǎn)節(jié)奏感的空間，孩子們?cè)诖俗分?，仿佛一?chǎng)新游戲的開(kāi)始。

Color is no longer a simple decoration-it guides children sboundless emotions and curiosity. We use straight lines tocreate spaces full of rhythm，where children chase and play，as ifembarking on a brand-new game.

素雅的和紙、粗粒的石材，柔軟與堅(jiān)韌，讓其在風(fēng)雅中平添一份厚重的自然氣韻。接待臺(tái)獨(dú)立且融合于空間內(nèi)，四面以半透格柵加以圍合，突顯吧臺(tái)空間，一盞溫潤(rùn)的燈光懸于頂面，體量感的外觀輪廓，溫暖的顏色無(wú)不訴說(shuō)著流光。

Elegant washi paper and rugged stone blend softness with resilience，adding natural gravitas to the refined space. The freestanding reception desk integrates seamlessly，framed by semi-transparent lattices that highlight the bar area. A warm pendant light illuminates the volumetric form，where every contour and hue whispers timeless grace.

茶室意在打造一個(gè)隱秘的空間氛圍，整體設(shè)計(jì)用色清雅，取材樸拙。米色的肌理涂料給空間帶來(lái)禪意。頂面的藤編讓其自然的演變紋理制造空間驚喜，以低調(diào)的姿態(tài)迎合主空間的氣質(zhì)。

The tearoom is conceived as a hidden retreat，using elegant tones and rustic materials. Beige textured walls bring a quietZen feeling，while the woven rattan ceiling adds natural variation that subtly echoes the main space.

穿在廊之間，簡(jiǎn)潔的材質(zhì)繪就安靜柔和的氛圍，在漫步的觀賞中，可以感受到空間帶來(lái)的療愈力，身心亦更加從容放松。

Between the corridors，simple materials shape a quiet andgentle atmosphere. As one strolls through and takes in thesurroundings，the healing power of the space becomes evi-dent，bringing a sense of ease and relaxation to both bodyand mind.

泳池如一方靜謐的鏡面，鋪展于庭院一隅。碧波輕漾，天光云影悄然落入水中，隨風(fēng)泛起層層漣漪。其形制順應(yīng)整體布局，仿若天然水灣鑲嵌于翠意之間，勾勒出建筑與自然的無(wú)聲對(duì)話(huà)。

The pool rests like a quiet mirror in the corner of the courtyard. Gentle ripples carry the sky and clouds across its surface，as if a natural bay is set within the greenery，forming asilent dialogue between architecture and nature.

清雅的用色與周?chē)脖幌嘤吵扇?，水面與天際相融無(wú)界，令人在行走間不覺(jué)身處塵世，唯有風(fēng)、水、光影交織成詩(shī)。泳池不只是空間的延伸，更是一處感官的棲息地，予人以清寧悠遠(yuǎn)的心境。

Soft tones echo the surrounding plants，and the waterblends seamlessly with the sky. As one walks by，the worldfades-leaving only wind，water，and light. More than a spa tial extension，the pool is a sensory retreat，offering calmand clarity.

家是我們生活的一角，是我們最初的宇宙。南京的厚度賦予了空間更多人文情懷，從空間尺度到情緒，東方的寧?kù)o力量油然而生。從水墨山水中提取元素，讓東方氣韻如水墨般飄逸流淌于空間之內(nèi)。

Home is life's fragment，the primal cosmos. Nanjing's heritage imbues space with poetic grace，where Eastern serenity emerges. Ink-wash motifs linger like drifting mist.

住宅并非冷冰冰的機(jī)器，而是褪去華麗的外表，浮現(xiàn)質(zhì)樸無(wú)華的生活?！斑@間252㎡的住宅是以江南文人生活為藍(lán)本。”在潘冉看來(lái)，尋找獨(dú)一無(wú)二的生活方式才是居住的核心。

A home is not a cold machine, but a place of authentic living, free from pretense. 'This 252㎡ residence embodies the poetic simplicity of Jiangnan scholars,' says Pan Ran. True living lies in finding a unique way of life.

餐導(dǎo)區(qū)，旖旎微醺，擺脫陳詞濫調(diào)，水墨紋的奢石暈染出典雅高貴的氛圍格調(diào)。島臺(tái)與高桌的組合錯(cuò)落有致，集實(shí)用與美觀于一體。

Ink-veined luxury marble sets a refined mood. The staggered island and high table combine function with understated artistry.

設(shè)計(jì)師將空間作為幕布，以家具陳設(shè)、藝術(shù)裝置、器物作為“墨”，采用留白的方式，給予未來(lái)的居住者充分的落筆之處。

The designer treats space as a blank canvas，using furniture，art installations，and objects as 'ink' while leaving intentional voids—offering future dwellers ample room to imprint their own stories.

風(fēng)有靈而萬(wàn)物生

水有底而澈見(jiàn)底

人有心而近自然