風(fēng)景畫作為一個(gè)圖像，就像一個(gè)空隙或缺口，是思想的眼得以進(jìn)入空間的孔洞。而肖

像畫——不論是人、動物或建筑物的肖像，則正好相反，它們沖出來，進(jìn)入我們的空間，與我們相遇。

朱利安

奧培（Julian Opie），英國當(dāng)代藝術(shù)家

"A landscape painting, as an image, is like a gap or an opening, a hole through which the eye of the mind can enter space. A portrait—whether of a person, an animal, or a building —is the exact opposite; they burst out, into our space, to meet us."

-- Julian Opie, British contemporary artist

這套充滿藝術(shù)氣息的公寓位于市中心，原始戶型為三室兩廳，戶主熱愛藝術(shù)收藏，喜歡自由無拘且不設(shè)限的生活，這也給設(shè)計(jì)提供了充分的自由度，我們希望幫戶主打造一處富有藝術(shù)性的開放居所，讓人和藝術(shù)自由流轉(zhuǎn)。歸家感始于電梯開門那一刻，重新設(shè)計(jì)的電梯廳采用統(tǒng)一石材，配合燈光與鏡面延伸。整體布局上，將南面的原主臥室打開，融入客廳形成一整個(gè)南向開敞大空間作為起居室。北面兩個(gè)房間合并成主臥，更安靜私密，最終改造成一室一廳。

This art-infused apartment, situated in the center of Shanghai, originally featured a three-bedroom, two-living-room layout. The owner, an art collector with a love for unfettered, limitless living, provided ample freedom for the design. We aimed to create an open, artistic abode, enabling the free movement of people and art. The sense of home begins the moment the elevator doors open. The redesigned elevator hall, clad in uniform stone, extends with the aid of lighting and mirrors.In terms of the overall layout, the original master bedroom on the south side was opened up and integrated into the living room, forming a large, open, south-facing space that serves as the living area. The two rooms on the north side were combined into one quieter and more private master bedroom, ultimately transforming the apartment into a one-bedroom, one-living-room space.

開敞后連續(xù)的大空間需要有層次和領(lǐng)域，保留不同區(qū)域適當(dāng)?shù)闹行男裕纬射в?路線?？蛷d、會客室和開放式中島廚房，每處空間以一個(gè)家具為中心形成島嶼性，人的活動和對話圍繞這些“島嶼”自由展開。客廳的 C 位是一張有故事的餐桌，戶主日常辦公、朋友聚會等主要生活場景都圍繞它展開。餐桌由一塊黃銅和兩片半透明的樹脂板插接，再與實(shí)木桌面隼接，桌面露出精致的銅線。樹脂板將長桌隔成三等分，搭配交椅形式的扶手椅，平等地招待每一位落座的客人。黃銅板隨著時(shí)間的推移會變色留下歲月的痕跡，樹脂板插接口透出桌對面的光，與周圍的空間相連通。

Now the new expansive, continuous living space required the establishment of hierarchies to maintain appropriate centrality in different areas to create migratory circulating routes. The living room, reception area, and open island kitchen each form an island centered around a piece of furniture, around which people’s activities and conversations unfold freely. The centerpiece of the living room is a dining table steeped in history and stories, around which the owner’s daily work and gatherings with friends revolve. This table is crafted from a piece of brass and two semi-transparent resin panels joined together, dovetailed with a solid wood tabletop that reveals exquisite brass lines. The resin panels divide the long table into three equal parts, paired with armchairs in the form of intersecting seats, welcoming each seated guest equally. The brass plate will change color over time, bearing the marks of age, while the resin panels allow light from the opposite side to filter through, connecting with the surrounding space.

餐桌另一端的會客廳，相對更私密，移門關(guān)閉時(shí)可作為臨時(shí)客臥，打開狀態(tài)下則 開敞連通。墻面正中間懸掛的是朱利安 ? 奧培的市人物肖像畫《走在哈克尼區(qū)》 (Walking in Hackney.2.2016，Julian Opie)，這幅業(yè)主收藏的最喜愛的大幅畫作是空間里唯一固定的藝術(shù)品，畫面上人來人往與空間的流動性相呼應(yīng)，仿佛畫面中的人物會進(jìn)入這個(gè)空間，與觀者相遇，橙色的背景給整個(gè)客廳定下熱鬧的基調(diào)。墻角的燈光設(shè)計(jì)延伸空間，勾勒出另一個(gè)藝術(shù)裝置《脊柱》的輪廓，其余藝術(shù)品如會客廳的人來人往，自由流轉(zhuǎn)于空間中，就連簡潔的客衛(wèi)也富有藝術(shù)氣息。

The lounge area at the other end of the dining table is relatively more private; it can serve as a temporary guest room when the sliding door is closed and opens up to connect the space when the door is open. Hanging in the center of the wall is Julian Opie’s portrait "Walking in Hackney.2.2016," the owner's favorite large artwork, and the only fixed piece in the space. The people coming and going in the painting resonate with the fluidity of the space, as if the figures could step into the room to meet the viewers. The orange background sets a lively tone for the entire living room. Lighting design in the corners extends the space, outlining another art installation, "Spine." Other artworks, like the people coming and going in the lounge area, freely circulate within the space, even imbuing the simple guest bathroom with artistic flair.

呂延翔-私人博物館系列

在開放廚房的一側(cè)是火山巖墻面和不銹鋼酒柜，兩種材質(zhì)形成拙與銳的對比。另一側(cè)木色墻面上隱形中軸門后就是私密的主臥。穿過開放步入式衣柜和右手旁的主衛(wèi)，臥室里簡潔的燈光設(shè)計(jì)打造安靜的環(huán)境。窄窗背后是主衛(wèi)淋浴空間，可用步入式衣柜的移門遮擋。作為家的居所，加上層高條件有限，我們整體采用無吊頂設(shè)計(jì)，燈帶盡可能藏在周邊，局部點(diǎn)綴以藝術(shù)性光源，烘托溫馨的家居氛圍。

On one side of the open kitchen is a wall of volcanic rock and a stainless steel wine cabinet, creating a contrast between the rough and the sharp. On the other side of the wood-colored wall, behind an invisible axis door, is the private master bedroom. Passing through the open walk-in closet and the master bathroom on the right, the bedroom features simple lighting design to create a tranquil environment. The main bathroom shower space is located behind a narrow window and can be shielded by the sliding door of the walk-in closet. Given the limited ceiling height, we adopted a no-ceiling design, with concealed lighting as much as possible, accented by artistic light sources to create a warm home atmosphere.

除了戶主收藏的藝術(shù)品和家具，我們?yōu)槠涠ㄖ圃O(shè)計(jì)的家具既是裝飾又是雕塑，陳列融入居家空間中。電梯廳的換鞋長凳與客廳的餐桌均出自我們的家具品牌“草字頭”，長凳的材料產(chǎn)自法國的海底石，每塊石材里包含的貝殼密度不同，仔細(xì)觸摸和觀察可見貝殼留下的痕跡，使整個(gè)長凳扎實(shí)而富有生命力。此外它也是一個(gè)燈光裝置，在入口作為迎接歸家的夜燈。

Besides the owner's collection of artworks and furniture, our custom-designed furniture serves both as decoration and sculpture, seamlessly blending into the living space. The shoe-changing bench in the elevator hall and the dining table in the living room are both from our furniture brand, "CAOZITOU." The bench is made from seabed stone from France, each piece containing different shell densities, revealing the traces of shells upon close inspection, imbuing the bench with solidity and vitality. Furthermore, it also serves as a lighting fixture, welcoming the homeowner with a night light at the entrance.

生活千變?nèi)f化，充滿各種可能性，空間的具體使用不再局限于單一功能。住宅空間設(shè)計(jì)的靈魂是主人的審美和生活方式，作為設(shè)計(jì)師需要保持適當(dāng)?shù)木嚯x，張弛有度。既需要精心設(shè)計(jì)每處細(xì)節(jié)，又需要給予足夠的自由，包括空間使用在時(shí)間更迭變化中的自由度，賦予足夠的想象空間，允許和接納生活一切的可能性。

Life is ever-changing and full of possibilities, and the specific use of space is no longer limited to a single function. The soul of residential space design lies in the owner's aesthetics and lifestyle. As designers, we need to maintain an appropriate distance between our clients, balancing tension and relaxation. We must meticulously design every detail while allowing enough freedom, including the flexibility of space usage over time, providing enough room for imagination, and embracing all the possibilities of life.

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項(xiàng)目信息

業(yè)主：私人業(yè)主（陳女士）

項(xiàng)?地點(diǎn)：上海新天地

項(xiàng)?類型：住宅

項(xiàng)?規(guī)模：260 平??

設(shè)計(jì)時(shí)間：2018年6月

建成時(shí)間：2022年12月

主持建筑師：董雪蓮, Matteo Piotti, Andrea Maira

設(shè)計(jì)團(tuán)隊(duì)：八荒設(shè)計(jì)團(tuán)隊(duì)，Hutsov Yakiv，Jose Maria Romero Rubio

設(shè)計(jì)范圍：室內(nèi)設(shè)計(jì)，軟裝設(shè)計(jì)

施?單位：江樽建筑設(shè)計(jì)工程（上海）有限公司

主要材料：木，不銹鋼，藝術(shù)涂料，玻璃，火山巖，可麗耐，巖板

品牌：草字頭，Motelni&C，Bottega Veneta，Living Divani，Glas Italia，

Viabizzuno，Delta，Nobilia，Gaggenau，Grado，Antoniolupi，Gessi，Compac，Imondi，Liaigre

攝影：張大齊

PROJECT FACT

Client:Private owner (Ms. Chen)

Location:Shanghai Xin Tian Di

Program:Residential

Project Area:260 sqm

Design Stage:June 2018

Completion:December 2022

Chief Architects:Shirley Dong, Matteo Piotti, Andrea Maira

Design Team:Studio8 Architects, Hutsov Yakiv, Jose Maria Romero Rubio

Design Scope:Interior, FFE

Construction:Jiangzun Architectural Design Engineering (Shanghai) Co., Ltd

Main Materials:Wood, Stainless steel, Art paint, Glass, Volcanic rock, Corian, Rock slab

Brands:Caozitou, Motelni&C, Bottega Veneta, Living Divani, Glas Italia, Viabizzuno,Delta, Nobilia, Gaggenau, Grado, Antoniolupi, Gessi, Compac, Imondi, Liaigre

Photography:Sven Zhang

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