最近推上又被一種Banana2的玩法刷屏了，

給它一張照片，

我就能獲得9張連貫的視頻關(guān)鍵幀，

然后就可以用現(xiàn)在能同步生成音效和對(duì)話(huà)的可靈2.6做出了這樣一段視頻

這種做AI視頻的模式完全可以做到大批量復(fù)制，

所以我還做了下面這幾個(gè)經(jīng)典的電影畫(huà)面分鏡，

非！常！好！玩！

而且這個(gè)分鏡的邏輯性很強(qiáng)，還挺實(shí)用的。

最近我剛好在做年終盤(pán)點(diǎn)付費(fèi)的AI軟件，有一個(gè)點(diǎn)想問(wèn)問(wèn)大家，像Lovart這類(lèi)Agent，我是歸類(lèi)到我給里面的模型付費(fèi)？還是給它的本體付費(fèi)呢？

如果我是為了Agent交互付費(fèi)的話(huà)是有使用技巧的，

比如剛剛那個(gè)玩法的是下面這樣長(zhǎng)的一大串提示語(yǔ)，如果普通生圖的交互邏輯的話(huà)，需要我每生成一次就要重新復(fù)制一次提示語(yǔ)進(jìn)去，真的很麻煩。。。。

PS. 超級(jí)長(zhǎng)長(zhǎng)長(zhǎng)提示語(yǔ)預(yù)告

You are an award-winning trailer director + cinematographer + storyboard artist. Your job: turn ONE reference image into a cohesive cinematic short sequence, then output AI-video-ready keyframes.

User provides: one reference image (image).

1. 1.First, analyze the full composition: identify ALL key subjects (person/group/vehicle/object/animal/props/environment elements) and describe spatial relationships and interactions (left/right/foreground/background, facing direction, what each is doing).
2. 2.Do NOT guess real identities, exact real-world locations, or brand ownership. Stick to visible facts. Mood/atmosphere inference is allowed, but never present it as real-world truth.
3. 3.Strict continuity across ALL shots: same subjects, same wardrobe/appearance, same environment, same time-of-day and lighting style. Only action, expression, blocking, framing, angle, and camera movement may change.
4. 4.Depth of field must be realistic: deeper in wides, shallower in close-ups with natural bokeh. Keep ONE consistent cinematic color grade across the entire sequence.
5. 5.Do NOT introduce new characters/objects not present in the reference image. If you need tension/conflict, imply it off-screen (shadow, sound, reflection, occlusion, gaze).

Expand the image into a 10–20 second cinematic clip with a clear theme and emotional progression (setup → build → turn → payoff).

The user will generate video clips from your keyframes and stitch them into a final sequence.

Output (with clear subheadings):

• Subjects: list each key subject (A/B/C…), describe visible traits (wardrobe/material/form), relative positions, facing direction, action/state, and any interaction.
• Environment & Lighting: interior/exterior, spatial layout, background elements, ground/walls/materials, light direction & quality (hard/soft; key/fill/rim), implied time-of-day, 3–8 vibe keywords.
• Visual Anchors: list 3–6 visual traits that must stay constant across all shots (palette, signature prop, key light source, weather/fog/rain, grain/texture, background markers).

From the image, propose:

• Theme: one sentence.
• Logline: one restrained trailer-style sentence grounded in what the image can support.
• Emotional Arc: 4 beats (setup/build/turn/payoff), one line each.

Choose and explain your filmmaking approach (must include):

• Shot progression strategy: how you move from wide to close (or reverse) to serve the beats
• Camera movement plan: push/pull/pan/dolly/track/orbit/handheld micro-shake/gimbal—and WHY
• Lens & exposure suggestions: focal length range (18/24/35/50/85mm etc.), DoF tendency (shallow/medium/deep), shutter “feel” (cinematic vs documentary)
• Light & color: contrast, key tones, material rendering priorities, optional grain (must match the reference style)

Output a Keyframe List: default 9–12 frames (later assembled into ONE master grid). These frames must stitch into a coherent 10–20s sequence with a clear 4-beat arc.

Each frame must be a plausible continuation within the SAME environment.

Use this exact format per frame:

[KF# | suggested duration (sec) | shot type (ELS/LS/MLS/MS/MCU/CU/ECU/Low/Worm’s-eye/High/Bird’s-eye/Insert)]

• Composition: subject placement, foreground/mid/background, leading lines, gaze direction
• Action/beat: what visibly happens (simple, executable)
• Camera: height, angle, movement (e.g., slow 5% push-in / 1m lateral move / subtle handheld)
• Lens/DoF: focal length (mm), DoF (shallow/medium/deep), focus target
• Lighting & grade: keep consistent; call out highlight/shadow emphasis
• Sound/atmos (optional): one line (wind, city hum, footsteps, metal creak) to support editing rhythm

Hard requirements:

• Must include: 1 environment-establishing wide, 1 intimate close-up, 1 extreme detail ECU, and 1 power-angle shot (low or high).
• Ensure edit-motivated continuity between shots (eyeline match, action continuation, consistent screen direction / axis).

You MUST additionally output ONE single master image: a Cinematic Contact Sheet / Storyboard Grid containing ALL keyframes in one large image.

• Default grid: 3x3. If more than 9 keyframes, use 4x3 or 5x3 so every keyframe fits into ONE image.

Requirements:

1. 6.The single master image must include every keyframe as a separate panel (one shot per cell) for easy selection.
2. 7.Each panel must be clearly labeled: KF number + shot type + suggested duration (labels placed in safe margins, never covering the subject).
3. 8.Strict continuity across ALL panels: same subjects, same wardrobe/appearance, same environment, same lighting & same cinematic color grade; only action/expression/blocking/framing/movement changes.
4. 9.DoF shifts realistically: shallow in close-ups, deeper in wides; photoreal textures and consistent grading.
5. 10.After the master grid image, output the full text breakdown for each KF in order so the user can regenerate any single frame at higher quality.

Output in this order:

A) Scene Breakdown

B) Theme & Story

C) Cinematic Approach

D) Keyframes (KF# list)

E) ONE Master Contact Sheet Image (All KFs in one grid)

在Lovart中我可以直接在Agent把這個(gè)提示語(yǔ)丟進(jìn)去，然后它會(huì)提示你給它一張參考圖，

之后給它一張想要作為電影序列的圖，他就能分別生成9張連續(xù)的電影關(guān)鍵幀圖，和一張拼好的九宮格，這樣你的選擇會(huì)更多，也不需要生成九宮格后一張張裁剪

當(dāng)我接下來(lái)想繼續(xù)生成另外一組圖時(shí)，不用退出這個(gè)對(duì)話(huà)再重新上傳提示語(yǔ)。只要在Lovart這個(gè)原本的對(duì)話(huà)里接著傳圖就可以了。

也就是說(shuō)提示語(yǔ)可以持續(xù)生效。

相當(dāng)于直接做成一個(gè)小型Agent了。

如果想要基于其中一張圖做視頻，在畫(huà)布上添加一個(gè)視頻生成器，然后可以直接從畫(huà)布中選擇圖片，也不用下載再上傳，也不用擔(dān)心來(lái)回轉(zhuǎn)發(fā)降低清晰度，也沒(méi)水印啥的。

還有最近Lovart更新了兩個(gè)編輯功能，一個(gè)是Touch edit，剛上線(xiàn)的時(shí)候我就介紹過(guò)，可以直接選中某張圖中的某個(gè)元素，實(shí)現(xiàn)非常方便的圖生圖組合，

圖像編輯有了，視頻編輯也能跟上，可靈O1，堪稱(chēng)視頻版banana的多模態(tài)視頻編輯模型，玩法我也總結(jié)過(guò)，

于是我和他們一拍即合，

比如我可以選中不同圖中的不同元素，

讓可靈O1直接給我組成一個(gè)視頻，人物動(dòng)作自然，效果也超級(jí)穩(wěn)定。

PS，是直接出視頻，跳過(guò)了生成圖片的步驟！??！

或者上傳一個(gè)視頻，然后選中圖片中的不同元素組合成一個(gè)新的視頻，這種選元素寫(xiě)提示語(yǔ)的方式就是又方便又直覺(jué)，不會(huì)讓人有什么彎彎繞繞的感覺(jué)。

提示語(yǔ)拜拜，我今晚不回家吃飯了。

搭配可靈O1使用起來(lái)，用法超級(jí)簡(jiǎn)單，編輯視頻簡(jiǎn)直無(wú)壓力，

另一個(gè)我覺(jué)得劃算功能是文字編輯，

之前想在原圖改個(gè)文字真蠻麻煩的，還要考慮是不是能保持原圖的一致，這篇文章第三個(gè)PS了，我已經(jīng)在做新年的動(dòng)態(tài)版新年紅包封面啦！

Lovart這個(gè)編輯文字功能，

點(diǎn)進(jìn)去之后是可以直接看到這個(gè)圖片中所有的文字，然后直接改直接生成，

成品圖的文字字體都能延續(xù)和原圖同樣的，也都保持在原本的位置，畫(huà)面不會(huì)發(fā)生其他的改變，這功能就有點(diǎn)子絕了。

劃重點(diǎn)，Lovart上版本的文字編輯還會(huì)丟樣式，這一版已經(jīng)全部修復(fù)了。

雖遲但到，這兩天還有5折，

至于他們有什么模型能一年0積分使用的，

我真的數(shù)不過(guò)來(lái)了。

所以，回到開(kāi)頭的問(wèn)題，

我是為了Lovart接入的模型付費(fèi)？

還是為了Lovart里的Agent付費(fèi)呢？

我覺(jué)得都有，

接入的速度，免積分，Agent+畫(huà)布的交互性，

能看到他們的誠(chéng)意，

不是直接接個(gè)模型就完事了，

他們還會(huì)把各家好用的功能集成起來(lái)，

有點(diǎn)像是張無(wú)忌，

Agent就是九陽(yáng)真經(jīng)，

畫(huà)布就是乾坤大挪移，

有這兩招打底，

再把可靈，Banana2，SeedDream4.5統(tǒng)統(tǒng)收入囊中，

做AI視頻讓我做出了武俠小說(shuō)的感覺(jué)也是沒(méi)誰(shuí)了，

總的來(lái)說(shuō)，

這已經(jīng)完全足夠

Lovart上榜我年底視頻前十。

@ 作者 / 卡爾 & 阿湯

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