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“一生癡絕處，無(wú)夢(mèng)到徽州?！焙甏寮婢呱搅忠叭づc水鄉(xiāng)風(fēng)貌，享有“中國(guó)畫(huà)里的鄉(xiāng)村”之美譽(yù)。村中各戶(hù)通過(guò)水道相連，汩汩清泉從各戶(hù)潺潺流過(guò)，層樓疊院與湖光山色交相輝映，處處皆景，步步如畫(huà)。青梅學(xué)社詩(shī)莉莉酒店坐落于白墻青瓦、低檐粉黛的徽州宏村之外。青梅學(xué)社·詩(shī)莉莉溫泉酒店位于黃山市黟縣宏村鎮(zhèn)的東山下，與世界文化遺產(chǎn)宏村景區(qū)僅一街之隔。從酒店步行10分鐘就能到達(dá)南湖畫(huà)橋，且距離景區(qū)入口僅有700米。酒店背倚竹林云海，依山勢(shì)而建，宛如一幅天然的水墨畫(huà)。其8000平方米的徽派園林，將“畫(huà)里鄉(xiāng)村”的意境延伸至各個(gè)角落。

"A foolish life, no dream of Huizhou." Hongcun has both forest and wild scenery and water scenery, and enjoys the reputation of "village in Chinese painting". Each family in the village is connected by the water channel, gurgling spring flows from each family, and the floor is stacked with the lake and the mountains, and the scenery is everywhere, and the step is picturesque. The Shilii Hotel is located outside the Hongcun village of Huizhou with white walls and green tiles and low eaves. Green Plum Society Shilii Hot Spring Hotel is located in Hongcun Town, Huangshan City, Yi County, under the Dongshan Mountain, and the world cultural heritage Hongcun scenic spot is only one street away. Nanhu Painting Bridge is a 10-minute walk from the hotel and only 700 meters from the entrance of the scenic area. The hotel is backed by the bamboo forest and the sea of clouds. It is built by the mountain, just like a natural ink painting. Its 8,000 square meters of Hui style gardens extend the artistic conception of "painting the countryside" to every corner.

項(xiàng)目背景 | RESIDENTIAL DESIGN

酒店由7棟明清徽派古宅修復(fù)改建而成，修舊如舊的設(shè)計(jì)保留了磚雕、木雕、石雕等傳統(tǒng)工藝，門(mén)罩天井、漏窗矮墻間盡顯古徽州的低調(diào)奢華。設(shè)計(jì)師巧妙引流山間清溪，形成蜿蜒池水與園林相映，推窗即見(jiàn)四季輪轉(zhuǎn)的宏村景致。建筑實(shí)施保護(hù)性修復(fù)，做到修舊如舊并保持徽派建筑獨(dú)有的磚雕、石雕、木雕來(lái)做裝飾。利用地理優(yōu)勢(shì)將山間小溪引流，經(jīng)過(guò)酒店每棟建筑最終匯聚堂前形成一波清池。

The hotel was rebuilt from 7 Hui-style ancient houses of Ming and Qing dynasties. The old design retains traditional crafts such as brick carving, wood carving and stone carving. The low-key luxury of ancient Huizhou is fully displayed between the door cover patio and the low wall of the window. The designer cleverly drains the mountain stream, forming a meandering pool of water and the garden, pushing the window to see the scenery of Hongcun with four seasons rotation. The building is protected and restored, so that the old is restored as old and the unique brick carving, stone carving and wood carving of Hui style architecture are kept for decoration. The mountain stream will be diverted by the geographical advantage, and each building of the hotel will eventually converge in front of the hall to form a wave of clear pool.

空間設(shè)計(jì) | RESIDENTIAL DESIGN

青山綠水引詩(shī)賦，墨瓦白墻牽畫(huà)魂。以窗框?yàn)楫?huà)框敞其觀戶(hù)外四季變換中的水墨宏村奇景，在不破壞建筑外觀的同時(shí)設(shè)計(jì)保留舊窗格元素對(duì)原窗進(jìn)行擴(kuò)寬及重設(shè)。室內(nèi)保留部分老木質(zhì)材料及裸露粗獷的木結(jié)構(gòu)，讓人感受歲月在其身上流逝的痕跡。門(mén)罩、天井、庭院和磚石雕鏤的漏窗矮墻將客房分列兩側(cè)互不干擾確?？头康乃矫?。酒店共設(shè)50余間高標(biāo)準(zhǔn)客房，每間以“青梅”“紅顏”“笑靨”等詞命名，黛灰粉素的色調(diào)呼應(yīng)徽派建筑的素雅。老木梁柱與現(xiàn)代化設(shè)施交融，既留存歲月痕跡，又滿足舒適需求。清晨推窗，竹林清風(fēng)與遠(yuǎn)山薄霧撲面而來(lái)，仿佛住進(jìn)《牡丹亭》的古典夢(mèng)境。

"Green mountains and green water draw poems and Fu, and ink tile white walls lead the painting soul." Taking the window frame as the picture frame to open its view of the magnificent scenery of ink Hongcun in the outdoor four seasons, the design retains the elements of the old pane to expand and reset the original window without destroying the appearance of the building. The interior retains some old wood materials and exposed rough wood structure, which makes people feel the traces of the passage of time on their bodies. Door covers, patios, courtyards and parapets with carved brick Windows divide rooms on either side to ensure privacy.

The hotel has a total of more than 50 high-standard rooms, each named after the words "green plum", "red beauty" and "smile", the color of Dai gray powder echoes the simple elegance of Hui style architecture. Old wooden beams and columns blend with modern facilities, retaining traces of time and satisfying comfort needs. When I push the window in the early morning, the breeze of the bamboo forest and the mist of the distant mountains blow against my face, as if I were living in a classical dream of the Peony Pavilion.

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