方言格物

DIALECT WITHIN BLOCKS

盧偉旋作品展

LU WEIXUAN SOLO EXHIBITION

主辦單位 | Organizer

深圳紅立方運(yùn)營(yíng)管理委員會(huì)

ORGANIZER: OPERATION AND MANAGEMENT COMMITTEE OF SHENZHEN RED CUBE

展覽地點(diǎn) | Venue

深圳紅立方龍崗區(qū)公共藝術(shù)館B1三號(hào)廳
VENUE: HALL3,B1,LONGGANG PUBLIC ART GALLERY,SHENZHEN RED CUBE

展覽時(shí)間 | Time

2026年2月5日-3月8日

DATE: FEBRUARY 5, 2026–MARCH 8, 2026

前言&作品

PREFACE & ART WORKS BY LUWEIXUAN

在盧偉旋的藝術(shù)實(shí)踐中，“方言”與“格物”被提煉為一套完整且極具當(dāng)代性的藝術(shù)方法論，構(gòu)成此次展覽的核心敘事。此處“方言”并非指地域性語(yǔ)言，而是指藝術(shù)家構(gòu)建的個(gè)人化、不可復(fù)制的視覺(jué)語(yǔ)法系統(tǒng)——意味著從集體經(jīng)驗(yàn)與普遍圖示中抽離，轉(zhuǎn)而以高度自覺(jué)的個(gè)體視角，對(duì)世界進(jìn)行命名、編碼與轉(zhuǎn)譯?！案裎铩眲t源自《大學(xué)》“致知在格物”的古典認(rèn)知論，在盧偉旋這里轉(zhuǎn)化為一種持續(xù)、深入的視覺(jué)勘察行動(dòng)：懸置先驗(yàn)概念，沉入事物本身，通過(guò)凝視、剖析與對(duì)話，探尋物象背后隱匿的存在邏輯、時(shí)間痕跡與精神結(jié)構(gòu)。

盧偉旋《造景系列》

尺寸可變 木框、板、玻璃塊、丙烯、膠、砂石等 2025

In Lu Weixuan's artistic practice, "dialect" and "ge wu" (the investigation of things) have been refined into a complete and highly contemporary artistic methodology, forming the core narrative of this exhibition. Here, "dialect" does not refer to a regional language, but rather to the personalized, irreplicable visual grammar system constructed by the artist. It signifies a departure from collective experience and universal schemas, turning instead to a highly self-conscious individual perspective to name, encode, and translate the world. "Ge wu," originating from the classical epistemology in *The Great Learning* ("The extension of knowledge lies in the investigation of things"), is transformed by Lu Weixuan into a sustained and profound act of visual inquiry: suspending preconceived notions, immersing oneself in the things themselves, and, through gazing, analyzing, and dialoguing, seeking the hidden logic of existence, traces of time, and spiritual structures concealed behind physical appearances.

盧偉旋《片語(yǔ)系列》

尺寸可變 瓦楞紙、丙烯、沙子、膠等 2022-2025

盧偉旋《格物》

70cm×90cm 紙本丙烯綜合 2024

本次展覽系統(tǒng)呈現(xiàn)了他如何以自洽的“方言”體系貫穿多元的“格物”路徑。作品如同靜謐而充滿能量的視覺(jué)節(jié)點(diǎn)，連接個(gè)人與集體、傳統(tǒng)與當(dāng)代、地域與全球、理性與溫情。在“物性”層面，他對(duì)山石、流水、殘枝的凝視超越形式審美，直指物質(zhì)存在的本體——重量、肌理、消逝與堅(jiān)韌，體現(xiàn)了一種近乎現(xiàn)象學(xué)的“回到事物本身”的態(tài)度。在“心象”層面，“繁花”系列摒棄具體花卉形貌，轉(zhuǎn)而捕捉絢爛、氤氳、流動(dòng)的生命氣韻，探索視覺(jué)愉悅本身的哲學(xué)意味，揭示“格物”對(duì)象可從實(shí)體延伸至色彩、光感乃至抽象的情緒與概念。在“人文”層面，他將“格物”的視線投向城市、科技等人造景觀，幾何結(jié)構(gòu)與數(shù)字邏輯被解構(gòu)重組，物質(zhì)性中亦注入人文關(guān)懷的溫度。

盧偉旋《繁花系列二》

60cm×50cm 布面丙烯 2025

盧偉旋《繁花系列四》

60cm×50cm 布面丙烯 2025

This exhibition systematically presents how he employs a self-consistent "dialect" system to thread through diverse paths of "ge wu." His works act like serene yet energetic visual nodes, connecting the individual and the collective, tradition and contemporaneity, the local and the global, reason and warmth. On the level of "materiality," his gaze upon mountains, rocks, flowing water, and broken branches transcends formal aesthetics, pointing directly to the ontology of material existence—weight, texture, transience, and resilience—manifesting an attitude akin to phenomenology's "return to the things themselves." On the level of "mental imagery," his "Floral Abundance" series discards the specific forms of flowers, instead capturing their resplendent, misty, and flowing vital essence, exploring the philosophical significance of visual pleasure itself. This reveals that the object of "ge wu" can extend from physical entities to color, light, and even abstract emotions and concepts. On the level of "the humanistic," he directs the gaze of "ge wu" towards human-made landscapes such as cities and technology. Geometric structures and digital logic are deconstructed and reassembled, their materiality infused with the warmth of humanistic concern.

盧偉旋手稿日常的探索 2022-2025（左右滑動(dòng)查看）

盧偉旋《迎客松系列三》

50cm×50cm 布面油畫(huà) 2023

由此可見(jiàn)，盧偉旋的“多元探索”并非風(fēng)格游移，其個(gè)性與理念并非單一作品所能窮盡，而正體現(xiàn)于他將不同題材、媒介與形式，統(tǒng)攝于自身獨(dú)特而連貫的感知與思維模式之下。他以自己的“方言”為萬(wàn)物命名，并在此過(guò)程中清晰、有力地確認(rèn)“我”之所在——這正是其所有藝術(shù)探索的起點(diǎn)與歸宿。這種高度自覺(jué)的體系性，使其藝術(shù)超越即興的情緒表達(dá)，升華為一種具有哲學(xué)維度的認(rèn)知方式與精神修行。

盧偉旋《時(shí)間的縫隙一》

180cm×200cm 布面油畫(huà) 2025

Thus, Lu Weixuan's "pluralistic exploration" is not a stylistic drift. We see that the artist's individuality and ideas cannot be exhausted by any single work; rather, they are precisely embodied in how he subsumes different subjects, media, and forms under his own unique and coherent mode of perception and thinking. Using his own "dialect," he names the myriad things of the world, and in this process, clearly and powerfully affirms the location of the "self"—which is precisely the starting point and ultimate destination of all his artistic explorations. This highly self-conscious systematicity elevates his art beyond impulsive emotional expression, sublimating it into a mode of cognition and spiritual practice with philosophical dimensions.

盧偉旋《時(shí)間中的永恒》

150cm×120cm 布面丙烯 2025

盧偉旋《璀璨系列二》

38cm×53cm 紙本水彩 2023

盧偉旋《在空中靜止》

26.5cm×38.5cm 紙本水彩 2023

盧偉旋《都在哪里玩》

26.5cm×38.5cm 紙本水彩 2024

盧偉旋《綠色空間》

26.5cm×38.5cm 紙本水彩 2024

盧偉旋《在小盒子里游戲》

26.5cm×38.5cm 紙本水彩 2024

盧偉旋《秘境二》

38cm×53cm 紙本水彩 2023

盧偉旋《秘境三》

117cm×79cm 綜合材料繪畫(huà) 2025

關(guān)于藝術(shù)家

ABOUT ARTIST LUWEIXUAN

盧偉旋（b.1983）

中國(guó)美術(shù)家協(xié)會(huì)會(huì)員

中國(guó)文聯(lián)青年文藝創(chuàng)作扶持計(jì)劃項(xiàng)目獲得者

中國(guó)國(guó)家畫(huà)院、廣州美術(shù)學(xué)院、廣州畫(huà)院青苗畫(huà)家培育計(jì)劃畫(huà)家

北京當(dāng)代中國(guó)寫(xiě)意油畫(huà)研究院特約創(chuàng)作員

深圳市美術(shù)家協(xié)會(huì)理事

深圳市青年美術(shù)家協(xié)會(huì)理事

Lu Weixuan (b. 1983)
Member of China Artists Association
Recipient of the Youth Literary and Artistic Creation Support Program of the China Federation of Literary and Art Circles
Artist of the Young Artists Cultivation Program jointly organized by the China National Academy of Painting, Guangzhou Academy of Fine Arts, and Guangzhou Painting Academy
Invited Creative Member of the Beijing Contemporary Chinese Freehand Oil Painting Research Institute
Council Member of the Shenzhen Artists Association
Council Member of the Shenzhen Young Artists Association

創(chuàng)于2014，相伴已成為習(xí)慣

平臺(tái)已進(jìn)駐網(wǎng)易、搜狐、今日頭條同步更新