光在裸奔

Light runs naked

——靈遁者
序言：以詩(shī)為炬，照見(jiàn)存在

當(dāng)我寫(xiě)下這些關(guān)于光的字句時(shí)，我始終相信，光從未只是照亮世界的介質(zhì)，它是生命的骨，是靈魂的紋，是人類在宇宙中留下的最真切的回聲。這本《光的裸奔》，不是一場(chǎng)刻意的創(chuàng)作，而是一次意識(shí)的流淌——從黎明的第一縷微光，到黑夜的最后一聲禱文，從自然的原力，到城市的冷光，從愛(ài)的溫柔，到人類終末的灰燼，我以詩(shī)為舟，載著對(duì)存在的追問(wèn)，穿越了意識(shí)的每一片荒原。

我總在想，我們生而為人，究竟該如何觸摸世界的本質(zhì)？是在黎明的骨頭里聽(tīng)見(jiàn)生命的胎動(dòng)，在光與塵的纏繞中看見(jiàn)時(shí)間的形狀，還是在群山的回聲里尋得與自然的共鳴，在無(wú)人的城市中直面現(xiàn)代性的疏離？答案或許藏在每一次凝視里，藏在每一次沉默中，藏在我們對(duì)愛(ài)、對(duì)夢(mèng)、對(duì)記憶、對(duì)死亡的所有感知里。

光的形體，從來(lái)都不是單一的模樣，它可以是晨霧中未名的花，是城市里霓虹的影，是愛(ài)人眼中的溫度，是黑夜中星辰的顫，甚至是文明落幕時(shí)，那一縷漂浮在廢墟上的人類之灰。

這些詩(shī)，是我與世界的對(duì)話，也是與自我的剖白。從《黎明的骨頭》到《光的形體》，再到作為隱秘尾聲的《人類之灰》，十一輯三百二十首詩(shī)，勾勒出的是人類靈魂的完整軌跡：從創(chuàng)造到消散，從信仰到自省，從光的誕生到光的回歸。我試圖打破語(yǔ)言的桎梏，讓文字擁有呼吸的溫度，讓詩(shī)行成為光的載體——有時(shí)柔軟如絮，有時(shí)鋒利如刃，有時(shí)沉靜如夜，有時(shí)熱烈如炬。我不追求敘事的完整，只愿捕捉意識(shí)的瞬間，那些在夢(mèng)與醒之間、在生與死之間、在真實(shí)與虛幻之間，一閃而過(guò)的光的碎片。

這世間的光，有自然的柔光，有技術(shù)的冷光，有愛(ài)的暖光，也有虛無(wú)的暗光。我們制造光，卻也時(shí)常迷失在光里；我們追尋光，卻也總要與黑暗相擁。但正是這份光與暗的交織，構(gòu)成了存在的全部意義。就像詩(shī)中所寫(xiě)，黑暗從不是光的對(duì)立面，而是光下班后的模樣；人類之灰也從不是光的終結(jié)，而是光以另一種形式的存在。我們都是光的孩子，生于光，行于光，最終也將化為光的一部分，在宇宙中留下永恒的回聲。

這本詩(shī)集，獻(xiàn)給所有在黑暗中仍抬頭看光的人。愿你能在這些字句里，看見(jiàn)自己的影子，聽(tīng)見(jiàn)自己的心跳，觸到自己與世界相連的那一縷光。愿我們都能以詩(shī)為炬，照見(jiàn)存在的本質(zhì)，在光的形體中，永遠(yuǎn)保持對(duì)世界的感知，對(duì)生命的熱愛(ài)，對(duì)存在的追問(wèn)。

The Form of Light: Holding Poetry as a Torch to Illuminate Existence

When I pen these verses about light, I have always believed that light is never merely a medium illuminating the world—it is the bone of life, the grain of the soul, and the truest echo humanity leaves in the universe. *The Form of Light* is not a deliberate creation, but a flow of consciousness. From the first glimmer of dawn to the last prayer of the night, from the primal power of nature to the cold glow of cities, from the tenderness of love to the ashes of humanity's end, I take poetry as a boat, carrying the inquiry into existence, and sail through every wilderness of the mind.

I often wonder, as human beings, how on earth we can touch the essence of the world? Is it to hear the fetal movement of life in the bones of dawn, to see the shape of time in the entanglement of light and dust, to find resonance with nature in the echo of mountains, or to face the alienation of modernity in the empty city? The answer may lie in every gaze, every silence, and all our perceptions of love, dreams, memories, and death. The form of light has never been a single appearance. It can be an unnamed flower in the morning mist, a neon shadow in the city, the warmth in a lover's eyes, the tremor of stars in the night, and even a wisp of human ashes floating over the ruins at the end of civilization.

These poems are my conversations with the world, and also a dissection of the self. From *The Bones of Dawn* to *The Form of Light*, and to *Ashes of Humanity* as the hidden epilogue, the eleven series with three hundred and twenty poems outline the complete trajectory of the human soul: from creation to dissipation, from faith to self-reflection, from the birth of light to its return. I have tried to break the yoke of language, to endow words with the warmth of breath, and to make poetic lines the carrier of light—sometimes soft as fluff, sometimes sharp as a blade, sometimes calm as the night, sometimes blazing as a torch. I do not pursue the completeness of narration, but only wish to capture the moments of consciousness, those fleeting shards of light between dreams and wakefulness, life and death, reality and illusion.

The light in this world includes the soft glow of nature, the cold light of technology, the warm light of love, and the dim light of nothingness. We create light, yet often get lost in it; we seek light, yet always have to embrace darkness. But it is precisely the interweaving of light and dark that constitutes the entire meaning of existence. As written in the poems, darkness is never the opposite of light, but what light becomes after its work is done; human ashes are never the end of light, but light existing in another form. We are all children of light, born of light, walking in light, and ultimately will become a part of it, leaving an eternal echo in the universe.

This poetry collection is dedicated to all those who are willing to look up at the light even in the dark. May you see your own shadow, hear your own heartbeat, and touch the wisp of light connecting you to the world in these lines. May we all hold poetry as a torch, illuminate the essence of existence, and forever keep our perception of the world, love for life, and inquiry into existence in the form of light.

Ling Dunzhe

At the Ferry of Light

摘自獨(dú)立學(xué)者，作家靈遁者中英文詩(shī)歌集書(shū)籍《光在裸奔》

作者簡(jiǎn)介：靈遁者，中國(guó)獨(dú)立學(xué)者。原名王銀，陜西綏德縣人。1988年出生，現(xiàn)居西安。哲學(xué)家，藝術(shù)家，作家。代表作品《觸摸世界》《行者乾坤》《探索生命》《變化》《相觀天下》《手診面診色診大全》《筆有千鈞》《非線性波動(dòng)》《見(jiàn)微知著》《探索宇宙》《偉大的秘密》《自卑之旅》《云淡風(fēng)清》《我的世界》《牙牙學(xué)語(yǔ)》等。其作品樸實(shí)大膽，富有新意。

個(gè)人座右銘：生命在于運(yùn)動(dòng)，更在于探索。

靈遁者熱讀書(shū)籍有：科普七部曲，國(guó)學(xué)三部曲，散文小說(shuō)五部曲。

科普七部曲分別為：《變化》《見(jiàn)微知著》《探索生命》《重構(gòu)世界》《觀自在大千世界》《信息與關(guān)系》《AI新紀(jì)元 先知變局》。

國(guó)學(xué)三部曲分別為：《相觀天下》《手診面診色診大觀園》《樸易天下》。靈遁者書(shū)籍閱讀：tansuozhizi

散文小說(shuō)五部曲分別為：《偉大的秘密》《非線性波動(dòng)》《從今往后》，《云淡風(fēng)輕》《我的世界》《春風(fēng)與你》。